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2009年06月12日
老话重提“感人大片”
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http://huangqiang.blogbus.com/logs/40901691.html
我很讨厌像the reader(《生死朗读》)这样的感人大片,赚足了你的眼泪但是什么都没给你留下。加点肉体,加点战争,加点经典文学,加点成长历程,再触及一下不被主流社会所承认的老少恋这样的边缘主题,就成了一部“好”作品。故事的讲述和镜头的运用都没有什么纯熟或震撼之处,不真诚又平庸。所以刚才读到Anthony Lane的毒舌时,我心有戚戚焉。
Their first time, though lingeringly shot, has all the finesse of cheap porno; where else does a woman tell a lusty youth to shed his clothes and take a bath because he has dirt on his face? In the movie’s second half, we see Hanna being tried and imprisoned for her wartime deeds; there is a shocking revelation, which comes as no surprise; and the middle-aged Michael (Ralph Fiennes) turns up to help his onetime love. Daldry takes things painfully slowly, not helped by a sappy score, and we are encouraged to muse upon the cultural shortcomings, or improvements, in the life of an aging member of the S.S. This is not an issue that most of us feel the need to worry about.
http://www.newyorker.com/arts/reviews/film/the_reader_daldry
有一个叫做Anthony Minghella的导演,前段才去世的,是拍这种电影的专业户,有几部赞誉那么多,我看了直叫郁闷。电影才不是这种肤浅情感的承载体。
每年像这样的“感人大片”都有很多,中国滴美国滴。同样是商业电影,我宁愿看点低俗搞笑的动画片,即使搞笑得勉强点但都要真诚得多。酱。







